Keller suddenly left his seat, and approached Lizabetha Prokofievna.
They were all laughing, and the guest joined in the chorus.
| The prince questioned him in detail as to his hints about Rogojin. He was anxious to seize upon some facts which might confirm Hippolyte’s vague warnings; but there were none; only Hippolyte’s own private impressions and feelings. |
| “Oh, of course! Naturally the sight impressed him, and proved to him that not _all_ the aristocracy had left Moscow; that at least some nobles and their children had remained behind.” |
“It is hardly an exact statement of the case,” said the prince in reply. “You have confused your motives and ideas, as I need scarcely say too often happens to myself. I can assure you, Keller, I reproach myself bitterly for it sometimes. When you were talking just now I seemed to be listening to something about myself. At times I have imagined that all men were the same,” he continued earnestly, for he appeared to be much interested in the conversation, “and that consoled me in a certain degree, for a _double_ motive is a thing most difficult to fight against. I have tried, and I know. God knows whence they arise, these ideas that you speak of as base. I fear these double motives more than ever just now, but I am not your judge, and in my opinion it is going too far to give the name of baseness to it--what do you think? You were going to employ your tears as a ruse in order to borrow money, but you also say--in fact, you have sworn to the fact--that independently of this your confession was made with an honourable motive. As for the money, you want it for drink, do you not? After your confession, that is weakness, of course; but, after all, how can anyone give up a bad habit at a moment’s notice? It is impossible. What can we do? It is best, I think, to leave the matter to your own conscience. How does it seem to you?” As he concluded the prince looked curiously at Keller; evidently this problem of double motives had often been considered by him before.
VI.| General Epanchin took up his part and spoke in the character of father of a family; he spoke sensibly, and without wasting words over any attempt at sentimentality, he merely recorded his full admission of her right to be the arbiter of Totski’s destiny at this moment. He then pointed out that the fate of his daughter, and very likely of both his other daughters, now hung upon her reply. |
| II. |
“Now, do be careful! Secrecy, as before!”
Before entering he stopped on the threshold, raised his hand as if making a solemn vow, and cried:
“And what did he mean by that _face_--a face which he so fears, and yet so loves? And meanwhile he really may die, as he says, without seeing Aglaya, and she will never know how devotedly he loves her! Ha, ha, ha! How does the fellow manage to love two of them? Two different kinds of love, I suppose! This is very interesting--poor idiot! What on earth will become of him now?”
Rogojin seized her in his arms and almost carried her to the carriage. Then, in a flash, he tore a hundred-rouble note out of his pocket and held it to the coachman.
“Do you wish me to beg pardon of this creature because she has come here to insult our mother and disgrace the whole household, you low, base wretch?” cried Varia, looking back at her brother with proud defiance.
“Where is it? Give it here, at once.”
“In the evening I used to walk to the waterfall. There was a spot there which was quite closed in and hidden from view by large trees; and to this spot the children used to come to me. They could not bear that their dear Leon should love a poor girl without shoes to her feet and dressed all in rags and tatters. So, would you believe it, they actually clubbed together, somehow, and bought her shoes and stockings, and some linen, and even a dress! I can’t understand how they managed it, but they did it, all together. When I asked them about it they only laughed and shouted, and the little girls clapped their hands and kissed me. I sometimes went to see Marie secretly, too. She had become very ill, and could hardly walk. She still went with the herd, but could not help the herdsman any longer. She used to sit on a stone near, and wait there almost motionless all day, till the herd went home. Her consumption was so advanced, and she was so weak, that she used to sit with closed eyes, breathing heavily. Her face was as thin as a skeleton’s, and sweat used to stand on her white brow in large drops. I always found her sitting just like that. I used to come up quietly to look at her; but Marie would hear me, open her eyes, and tremble violently as she kissed my hands. I did not take my hand away because it made her happy to have it, and so she would sit and cry quietly. Sometimes she tried to speak; but it was very difficult to understand her. She was almost like a madwoman, with excitement and ecstasy, whenever I came. Occasionally the children came with me; when they did so, they would stand some way off and keep guard over us, so as to tell me if anybody came near. This was a great pleasure to them.
“PR. L. MUISHKIN.”
| “I told you she wasn’t an ordinary woman,” replied the latter, who was as pale as anyone. |
| The visit he was about to pay was, in some respects, a risky one. He was in two minds about it, but knowing that the house was in the Gorohovaya, not far from the Sadovaya, he determined to go in that direction, and to try to make up his mind on the way. |
The general rose.
“How silly you are!” said Mrs. Epanchin, looking indignantly towards the last speaker.
“Oh, but, positively, you know--a hundred thousand roubles!”
“Yes, of course it is the chief thing!” he cried, looking sharply at Gania. “What a very curious man you are, Gania! You actually seem to be _glad_ to hear of this millionaire fellow’s arrival--just as though you wished for an excuse to get out of the whole thing. This is an affair in which you ought to act honestly with both sides, and give due warning, to avoid compromising others. But, even now, there is still time. Do you understand me? I wish to know whether you desire this arrangement or whether you do not? If not, say so,--and--and welcome! No one is trying to force you into the snare, Gavrila Ardalionovitch, if you see a snare in the matter, at least.”Hippolyte clutched his manuscript, and gazing at the last speaker with glittering eyes, said: “You don’t like me at all!” A few laughed at this, but not all.
| “You have indeed!” said Gania. |
| “Why not? Certainly he would, I should think. He would marry her tomorrow!--marry her tomorrow and murder her in a week!” |
The general looked significantly at his host.
| Nastasia seemed to Totski to have divined all this, and to be preparing something on her own account, which frightened him to such an extent that he did not dare communicate his views even to the general. But at times he would pluck up his courage and be full of hope and good spirits again, acting, in fact, as weak men do act in such circumstances. |
“Two minutes more, if you please, dear Ivan Fedorovitch,” said Lizabetha Prokofievna to her husband; “it seems to me that he is in a fever and delirious; you can see by his eyes what a state he is in; it is impossible to let him go back to Petersburg tonight. Can you put him up, Lef Nicolaievitch? I hope you are not bored, dear prince,” she added suddenly to Prince S. “Alexandra, my dear, come here! Your hair is coming down.”
The prince rose. “Won’t you be ashamed, afterwards, to reflect that your wife very nearly ran away with Rogojin?”| “Oh, devil take what he wanted you to do! Don’t try to be too cunning with me, young man!” shouted Gania. “If you are aware of the real reason for my father’s present condition (and you have kept such an excellent spying watch during these last few days that you are sure to be aware of it)--you had no right whatever to torment the--unfortunate man, and to worry my mother by your exaggerations of the affair; because the whole business is nonsense--simply a drunken freak, and nothing more, quite unproved by any evidence, and I don’t believe that much of it!” (he snapped his fingers). “But you must needs spy and watch over us all, because you are a--a--” |
| Oh, no, he did not think of Aglaya as a boarding-school miss, or a young lady of the conventional type! He had long since feared that she might take some such step as this. But why did she wish to see Nastasia? |
| On this particular evening the weather was lovely, and there were a large number of people present. All the places anywhere near the orchestra were occupied. |
“Just so.”
| “Listen--I know it is best not to speak! It is best simply to give a good example--simply to begin the work. I have done this--I have begun, and--and--oh! _can_ anyone be unhappy, really? Oh! what does grief matter--what does misfortune matter, if one knows how to be happy? Do you know, I cannot understand how anyone can pass by a green tree, and not feel happy only to look at it! How anyone can talk to a man and not feel happy in loving him! Oh, it is my own fault that I cannot express myself well enough! But there are lovely things at every step I take--things which even the most miserable man must recognize as beautiful. Look at a little child--look at God’s day dawn--look at the grass growing--look at the eyes that love you, as they gaze back into your eyes!” |
| “What did she guess?” |
“Of railways?” put in Colia eagerly.
Aglaya left without saying good-bye. But the evening was not to end without a last adventure. An unexpected meeting was yet in store for Lizabetha Prokofievna.
| “That is exactly the word I wanted,” said the general with satisfaction--“a curiosity. However, the most astonishing and, if I may so express myself, the most painful, thing in this matter, is that you cannot even understand, young man, that Lizabetha Prokofievna, only stayed with you because you are ill,--if you really are dying--moved by the pity awakened by your plaintive appeal, and that her name, character, and social position place her above all risk of contamination. Lizabetha Prokofievna!” he continued, now crimson with rage, “if you are coming, we will say goodnight to the prince, and--” |
| “When I do go to bed I shall never get up again,” said Hippolyte, with a smile. “I meant to take to my bed yesterday and stay there till I died, but as my legs can still carry me, I put it off for two days, so as to come here with them to-day--but I am very tired.” |
| “Nervous about you?” Aglaya blushed. “Why should I be nervous about you? What would it matter to me if you were to make ever such a fool of yourself? How can you say such a thing? What do you mean by ‘making a fool of yourself’? What a vulgar expression! I suppose you intend to talk in that sort of way tomorrow evening? Look up a few more such expressions in your dictionary; do, you’ll make a grand effect! I’m sorry that you seem to be able to come into a room as gracefully as you do; where did you learn the art? Do you think you can drink a cup of tea decently, when you know everybody is looking at you, on purpose to see how you do it?” |
Arrived home again, the prince sent for Vera Lebedeff and told her as much as was necessary, in order to relieve her mind, for she had been in a dreadful state of anxiety since she had missed the letter. She heard with horror that her father had taken it. Muishkin learned from her that she had on several occasions performed secret missions both for Aglaya and for Rogojin, without, however, having had the slightest idea that in so doing she might injure the prince in any way.
| “Yes,” said the prince, squeezing the word out with difficulty owing to the dreadful beating of his heart. |
This was the first time in his life that he had seen a little corner of what was generally known by the terrible name of “society.” He had long thirsted, for reasons of his own, to penetrate the mysteries of the magic circle, and, therefore, this assemblage was of the greatest possible interest to him.
The amiable and undoubtedly witty Prince N. could not but feel that he was as a sun, risen for one night only to shine upon the Epanchin drawing-room. He accounted them immeasurably his inferiors, and it was this feeling which caused his special amiability and delightful ease and grace towards them. He knew very well that he must tell some story this evening for the edification of the company, and led up to it with the inspiration of anticipatory triumph.
“‘Never!’ I cried, indignantly.”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Fever, probably,” he said to himself, “for the man is all nerves, and this business has been a little too much for him. He is not _afraid_, that’s clear; that sort never funks! H’m! champagne! That was an interesting item of news, at all events!--Twelve bottles! Dear me, that’s a very respectable little stock indeed! I bet anything Lebedeff lent somebody money on deposit of this dozen of champagne. Hum! he’s a nice fellow, is this prince! I like this sort of man. Well, I needn’t be wasting time here, and if it’s a case of champagne, why--there’s no time like the present!”
| Of course every one of them followed her. |
“Nothing. I was only seeking further information, to put the finishing touch.”
“Would you believe,” said the mistress of the house, suddenly addressing the prince, “would you believe that that man has not even spared my orphan children? He has stolen everything I possessed, sold everything, pawned everything; he has left me nothing--nothing! What am I to do with your IOU’s, you cunning, unscrupulous rogue? Answer, devourer! answer, heart of stone! How shall I feed my orphans? with what shall I nourish them? And now he has come, he is drunk! He can scarcely stand. How, oh how, have I offended the Almighty, that He should bring this curse upon me! Answer, you worthless villain, answer!”
“Then don’t speak at all. Sit still and don’t talk.”