“Oh, I happened to recall it, that’s all! It fitted into the conversation--”

She mechanically arranged her dress, and fidgeted uncomfortably, eventually changing her seat to the other end of the sofa. Probably she was unconscious of her own movements; but this very unconsciousness added to the offensiveness of their suggested meaning.
“This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”

The prince was much interested in the young man who had just entered. He easily concluded that this was Evgenie Pavlovitch Radomski, of whom he had already heard mention several times. He was puzzled, however, by the young man’s plain clothes, for he had always heard of Evgenie Pavlovitch as a military man. An ironical smile played on Evgenie’s lips all the while the recitation was proceeding, which showed that he, too, was probably in the secret of the ‘poor knight’ joke. But it had become quite a different matter with Aglaya. All the affectation of manner which she had displayed at the beginning disappeared as the ballad proceeded. She spoke the lines in so serious and exalted a manner, and with so much taste, that she even seemed to justify the exaggerated solemnity with which she had stepped forward. It was impossible to discern in her now anything but a deep feeling for the spirit of the poem which she had undertaken to interpret.

One of these incidents was a visit from Lebedeff. Lebedeff came rather early--before ten--but he was tipsy already. Though the prince was not in an observant condition, yet he could not avoid seeing that for at least three days--ever since General Ivolgin had left the house Lebedeff had been behaving very badly. He looked untidy and dirty at all times of the day, and it was said that he had begun to rage about in his own house, and that his temper was very bad. As soon as he arrived this morning, he began to hold forth, beating his breast and apparently blaming himself for something.

“I? I? Do you mean me? Often, my friend, often! I only pretended I had not in order to avoid a painful subject. You saw today, you were a witness, that I did all that a kind, an indulgent father could do. Now a father of altogether another type shall step into the scene. You shall see; the old soldier shall lay bare this intrigue, or a shameless woman will force her way into a respectable and noble family.”
“Get up!” he said, in a frightened whisper, raising her. “Get up at once!”

The next day Keller came to visit the prince. He was in a high state of delight with the post of honour assigned to him at the wedding.

“Allow me!”
What had happened to him? Why was his brow clammy with drops of moisture, his knees shaking beneath him, and his soul oppressed with a cold gloom? Was it because he had just seen these dreadful eyes again? Why, he had left the Summer Garden on purpose to see them; that had been his “idea.” He had wished to assure himself that he would see them once more at that house. Then why was he so overwhelmed now, having seen them as he expected? just as though he had not expected to see them! Yes, they were the very same eyes; and no doubt about it. The same that he had seen in the crowd that morning at the station, the same that he had surprised in Rogojin’s rooms some hours later, when the latter had replied to his inquiry with a sneering laugh, “Well, whose eyes were they?” Then for the third time they had appeared just as he was getting into the train on his way to see Aglaya. He had had a strong impulse to rush up to Rogojin, and repeat his words of the morning “Whose eyes are they?” Instead he had fled from the station, and knew nothing more, until he found himself gazing into the window of a cutler’s shop, and wondering if a knife with a staghorn handle would cost more than sixty copecks. And as the prince sat dreaming in the Summer Garden under a lime-tree, a wicked demon had come and whispered in his car: “Rogojin has been spying upon you and watching you all the morning in a frenzy of desperation. When he finds you have not gone to Pavlofsk--a terrible discovery for him--he will surely go at once to that house in Petersburg Side, and watch for you there, although only this morning you gave your word of honour not to see _her_, and swore that you had not come to Petersburg for that purpose.” And thereupon the prince had hastened off to that house, and what was there in the fact that he had met Rogojin there? He had only seen a wretched, suffering creature, whose state of mind was gloomy and miserable, but most comprehensible. In the morning Rogojin had seemed to be trying to keep out of the way; but at the station this afternoon he had stood out, he had concealed himself, indeed, less than the prince himself; at the house, now, he had stood fifty yards off on the other side of the road, with folded hands, watching, plainly in view and apparently desirous of being seen. He had stood there like an accuser, like a judge, not like a--a what?
At this there was a dreadful noise; Lebedeff danced about in his excitement; Ferdishenko prepared to go for the police; Gania frantically insisted that it was all nonsense, “for nobody was going to shoot themselves.” Evgenie Pavlovitch said nothing.
The prince was startled, and reflected for a moment.
But this evening he did nearly all the talking himself, and told stories by the dozen, while he answered all questions put to him clearly, gladly, and with any amount of detail.

“You are not very modest!” said she.

“Delighted, I’m sure!--I’ll come back directly, gentlemen,--sit down there with the others, please,--excuse me one moment,” said the host, getting away with difficulty in order to follow Evgenie.

“Now, Gania,” cried Varia, frightened, “we can’t let him go out! We can’t afford to have a breath of scandal about the town at this moment. Run after him and beg his pardon--quick.”

“H’m! Prince Muishkin is not Ferdishenko,” said the general, impatiently. This worthy gentleman could never quite reconcile himself to the idea of meeting Ferdishenko in society, and on an equal footing.

He paused, breathless.
Nastasia must have overheard both question and reply, but her vivacity was not in the least damped. On the contrary, it seemed to increase. She immediately overwhelmed the general once more with questions, and within five minutes that gentleman was as happy as a king, and holding forth at the top of his voice, amid the laughter of almost all who heard him. “Oh no--it’s the work of an instant. They put a man inside a frame and a sort of broad knife falls by machinery--they call the thing a guillotine--it falls with fearful force and weight--the head springs off so quickly that you can’t wink your eye in between. But all the preparations are so dreadful. When they announce the sentence, you know, and prepare the criminal and tie his hands, and cart him off to the scaffold--that’s the fearful part of the business. The people all crowd round--even women--though they don’t at all approve of women looking on.”
“Very likely--I don’t recollect,” continued Prince S.
Suddenly Rogojin burst into a loud abrupt laugh, as though he had quite forgotten that they must speak in whispers.

“To this keen question I replied as keenly, ‘The Russian heart can recognize a great man even in the bitter enemy of his country.’ At least, I don’t remember the exact words, you know, but the idea was as I say. Napoleon was struck; he thought a minute and then said to his suite: ‘I like that boy’s pride; if all Russians think like this child, then--’ he didn’t finish, but went on and entered the palace. I instantly mixed with his suite, and followed him. I was already in high favour. I remember when he came into the first hall, the emperor stopped before a portrait of the Empress Katherine, and after a thoughtful glance remarked, ‘That was a great woman,’ and passed on.

“Do you mean to say,” cried Gania, from the other corner, “do you mean to say that railways are accursed inventions, that they are a source of ruin to humanity, a poison poured upon the earth to corrupt the springs of life?”

Hippolyte himself seemed to be hopeful about his state of health, as is often the case with consumptives.

“Met me somewhere, pfu! Why, it’s only three months since I lost two hundred roubles of my father’s money to you, at cards. The old fellow died before he found out. Ptitsin knows all about it. Why, I’ve only to pull out a three-rouble note and show it to you, and you’d crawl on your hands and knees to the other end of the town for it; that’s the sort of man you are. Why, I’ve come now, at this moment, to buy you up! Oh, you needn’t think that because I wear these boots I have no money. I have lots of money, my beauty,--enough to buy up you and all yours together. So I shall, if I like to! I’ll buy you up! I will!” he yelled, apparently growing more and more intoxicated and excited. “Oh, Nastasia Philipovna! don’t turn me out! Say one word, do! Are you going to marry this man, or not?”
And I, your excellency, am the ass.”
The prince was a whole hour soothing and comforting her, and left her, at length, pacified and composed. He sent another messenger during the night to inquire after her, and two more next morning. The last brought back a message that Nastasia was surrounded by a whole army of dressmakers and maids, and was as happy and as busy as such a beauty should be on her wedding morning, and that there was not a vestige of yesterday’s agitation remaining. The message concluded with the news that at the moment of the bearer’s departure there was a great confabulation in progress as to which diamonds were to be worn, and how. “Why do you look at me like that, prince?” she asked suddenly, breaking off her merry conversation and laughter with those about her. “I’m afraid of you! You look as though you were just going to put out your hand and touch my face to see if it’s real! Doesn’t he, Evgenie Pavlovitch--doesn’t he look like that?” The lodgers had disappeared very quickly--Ferdishenko soon after the events at Nastasia Philipovna’s, while the prince went to Moscow, as we know. Gania and his mother went to live with Varia and Ptitsin immediately after the latter’s wedding, while the general was housed in a debtor’s prison by reason of certain IOU’s given to the captain’s widow under the impression that they would never be formally used against him. This unkind action much surprised poor Ardalion Alexandrovitch, the victim, as he called himself, of an “unbounded trust in the nobility of the human heart.” “Water or the knife?” said the latter, at last. “Ha, ha--that’s exactly why she is going to marry me, because she knows for certain that the knife awaits her. Prince, can it be that you don’t even yet see what’s at the root of it all?”

“You never know the day of the week; what’s the day of the month?”